All About Jazz Review
All About Jazz (NY)
July 2006
by Suzanne Lorge
Michael Camacho, a silver-throated jazz vocalist, introduced his new CD, Just For You, with three sets at the Bacchus Room on May 24th. Between the CD and his live performance, one thing is clear about Camacho. He knows what he’s doing. And what he’s doing is staking his claim as a front-runner among that rarest of songbirds today - the male jazz singer. Lest this appellation conjure images of delicate crooners in tuxedos competing with martini shakers for attention, make no mistake about it: Camacho has a big, commanding voice.
At one point in the last set of the evening the PA went on the fritz and Camacho continued singing, unplugged. “Since I have a pair of
lungs, I’ll sing without,” he announced. His lungs carried the show all the way to the back of the room until the PA was up and running again.
Despite this tempting fortissimo, Camacho exercises consummate dynamic control over his instrument. His phrasing is subtle and informed, which makes it easy to take his ingenuity for granted. Until he breaks into a scat solo, that is.
At the Bacchus Room Camacho presented an extended blues version of “Honeysuckle Rose” filled with confident, clever vocal solos. In another of the evening’s pleasantly surprising turns, Camacho delivered the standard “S’Wonderful” with an engaging Latin groove.
Camacho’s originals, cowritten with bassist François Moutin, display a mature songwriting sensibility. He performed two in his last set: “Here’s To The Blues”, during which he adroitly referenced “Route 66”, and a lovely ode to the ups and downs of lifelong companionship, “My Friend”. These two originals appear on the CD, along with three others, including the title cut. This last, a straight ahead, moderate number, contains a sampling of the more extensive scatting that Camacho offers in live performance.
On the CD Camacho alludes to his background as a pop/R&B singer by including top-40 hits like a laid-back, atmospheric “Spanish Harlem” and a jazz rendition of The Beatles’ “Norwegian Wood” (a.k.a. “This Bird Has Flown”.). Camacho has had top-40 successes of his own: In another vocal incarnation, he was signed with Capitol Records and spawned a top-ten single as one half of the duo Sly Fox.
Aside from originals and the occasional pop melody, Camacho relies on comfortable favorites from the Great American Songbook. He also relies on the solid support of his band, with whom he’s collaborated for the last five years. Besides the aforementioned Moutin, Camacho’s sidemen on the gig and the album include percussionist Norman Hedman, pianist Tim Ragusis, saxophonist Dan Block
and drummer Marcello Pelliteri.
For more information, visit www.jazzbeat.com